In a film that is vintage Bartkowiak, Maximum Impact is heavy on colorful characters and recognizable actors or otherwise big names, and while it might not actually impact the audience to the max, it hits just hard enough to leave an impression.
A comedy with a few solid laughs, The Associate was surprisingly forward-thinking and ahead of the curve for women's rights, the pushing for LGBT equality, and #MeToo (not to mention the rise of black empowerment).
The themes of the film aren't new or particularly presented in a fresh way, and if generic cult lingo or movies centered around bogus cults aren't your thing, then this movie is clearly not your bag.
A slow moving and overlong conspiracy thriller with a disaster that frames it, Gold is too lethargic to be gripping and has too much fat around its middle sections to be a choice viewing pleasure.
The Nun is arguably the best movie in The Conjuring Universe with plenty of scares and some memorable camerawork.
Vintage character actor James Best revisits a horror/sci-fi title in which he starred over 50 years prior, in this 2012 film from B-movie visionary Steve Latshaw and Coal Train Productions.
Geared to be the next Turbo Kid, Molly unfortunately fails on almost every level it aspires to accomplish.
A real kick in the nuts to Full Moon's long dormant and dry Puppet Master series, The Littlest Reich is a revitalizing, sexy, and ravaging gorefest starring a bunch of practically rendered killer toys.
An early Dario Argento giallo / thriller, The Cat O' Nine Tails is a solid little shocker with a great, tense finale set on a rooftop.
This 2018 film can be described as both an achievement and a debacle, and both descriptions would be correct, making for a must-see experience.