There's something to be said about fun junk like this still having a shelf life nearly 40 years after the fact.
Murder, mayhem, and mystery come together with beauty, bullets and boobs in 1973's Stacey, the first feature film directed by cult legend Andy Sidaris, an unrefined but entertaining femme fatale flick.
A very cheaply rendered CGI feature that tries using steampunk influences and Oz references to bring kiddies and the curious to the fold, The Steam Engines of Oz is a mighty snoozer that might have worked if more time, detail, and attention were paid to the story and the animation.
A sappy romance that dips, drags, and stumbles, Autumn in New York is high melodrama that hits all the cliché beats.
A stylish mishmash of hot air and familiar faces swimming in it, Crazy Six is an interesting relic of the 1990's when director Albert Pyun was experimenting with his craft, while utilizing famous stars who were at his mercy.
Takashi Miike's deeply ingrained horror experience Audition is a rock solid doozy of a thriller with very clear and vivid depictions of torture and horror in measured doses.
A moody, eerie sci-fi horror film that clearly seems to have inspired other major films that came later, it has a really radical monster and three good foes to go up against it.
What Men Want isn't short on laughs but it is rather predictable in parts; it's worth checking out for some escapist fun
A simplistic stalk-and-slash horror movie set mostly in one location, The Unnamable is loosely inspired by a story from H.P. Lovecraft, and while the creature is clearly the highlight of the movie, they saved showing it off until almost an hour into the film, which is insane, considering that the movie is less than 90 minutes long.
What Art of the Dead has going for it is a sexy identity and firmly planted roots in horror.