The themes of the film aren't new or particularly presented in a fresh way, and if generic cult lingo or movies centered around bogus cults aren't your thing, then this movie is clearly not your bag.
A slow moving and overlong conspiracy thriller with a disaster that frames it, Gold is too lethargic to be gripping and has too much fat around its middle sections to be a choice viewing pleasure.
The Nun is arguably the best movie in The Conjuring Universe with plenty of scares and some memorable camerawork.
I have absolutely no idea why or how this movie was able to get pushed through from inception to completion. It. Is. Not. Funny. At. All.
Plot: A gangster attempts to keep the promise he made to his dying father: that he would give up his...
A real kick in the nuts to Full Moon's long dormant and dry Puppet Master series, The Littlest Reich is a revitalizing, sexy, and ravaging gorefest starring a bunch of practically rendered killer toys.
An early Dario Argento giallo / thriller, The Cat O' Nine Tails is a solid little shocker with a great, tense finale set on a rooftop.
This 2018 film can be described as both an achievement and a debacle, and both descriptions would be correct, making for a must-see experience.
An incredibly weird and head slapping mishmash of apocalyptic themes, Apocalypse Rising is sort of compelling in fits and starts thanks to a great music score that makes everything seem much bigger and greater than it actually is.
Writer / director Vincent Ward (who did the amazing coming of age film Vigil) crafts an allegory for the ages: A tale of ignorance, faith, transformation, and healing, all told through the eyes of a dreaming child.