Vintage character actor James Best revisits a horror/sci-fi title in which he starred over 50 years prior, in this 2012 film from B-movie visionary Steve Latshaw and Coal Train Productions.
Geared to be the next Turbo Kid, Molly unfortunately fails on almost every level it aspires to accomplish.
A real kick in the nuts to Full Moon's long dormant and dry Puppet Master series, The Littlest Reich is a revitalizing, sexy, and ravaging gorefest starring a bunch of practically rendered killer toys.
An early Dario Argento giallo / thriller, The Cat O' Nine Tails is a solid little shocker with a great, tense finale set on a rooftop.
This 2018 film can be described as both an achievement and a debacle, and both descriptions would be correct, making for a must-see experience.
A comedy with a few solid laughs, The Associate was surprisingly forward-thinking and ahead of the curve for women's rights, the pushing for LGBT equality, and #MeToo (not to mention the rise of black empowerment).
The themes of the film aren't new or particularly presented in a fresh way, and if generic cult lingo or movies centered around bogus cults aren't your thing, then this movie is clearly not your bag.
A slow moving and overlong conspiracy thriller with a disaster that frames it, Gold is too lethargic to be gripping and has too much fat around its middle sections to be a choice viewing pleasure.
The Nun is arguably the best movie in The Conjuring Universe with plenty of scares and some memorable camerawork.
I have absolutely no idea why or how this movie was able to get pushed through from inception to completion. It. Is. Not. Funny. At. All.