“Look - you fools! You’re in danger - can’t you see? They’re after you, they’re after all of us! Our wives, our children - everyone! They’re here already! You’re next!”
John Boorman's ultra stylish and dreamlike sequel to William Friedkin's classic trendsetter horror film is not nearly as in-your-face horrific or "scary" as its predecessor.
Sleep No More is in the vein of horror films like Flatliners, Pathology, and Anatomy where the scientists take it upon themselves to become the lab rats for their own experiments, resulting in terror.
In a film that is vintage Bartkowiak, Maximum Impact is heavy on colorful characters and recognizable actors or otherwise big names, and while it might not actually impact the audience to the max, it hits just hard enough to leave an impression.
A comedy with a few solid laughs, The Associate was surprisingly forward-thinking and ahead of the curve for women's rights, the pushing for LGBT equality, and #MeToo (not to mention the rise of black empowerment).
The Hate U Give is an intense rollercoaster with a very current story and fantastic performances. It won't be for everyone but it's worth seeing at least once.
Competently made with some nice looking battle scenes and explosions, Occupation is much too similar in way too many ways to the T.V. series Falling Skies to get big points from me, but fans of alien apocalypse movies might like it for the same reasons they enjoy others of the same ilk.
The film runs a little too long, but it’s a gem of a movie. Gruner was never better.
Vintage character actor James Best revisits a horror/sci-fi title in which he starred over 50 years prior, in this 2012 film from B-movie visionary Steve Latshaw and Coal Train Productions.
Geared to be the next Turbo Kid, Molly unfortunately fails on almost every level it aspires to accomplish.