A sappy romance that dips, drags, and stumbles, Autumn in New York is high melodrama that hits all the cliché beats.
A stylish mishmash of hot air and familiar faces swimming in it, Crazy Six is an interesting relic of the 1990's when director Albert Pyun was experimenting with his craft, while utilizing famous stars who were at his mercy.
A beautiful and exotic Euro sex drama, Summer Lovers casts a tantalizing spell with gorgeous scenery, a lovely score by Basil Poledouris, extremely attractive (and often nude) leads, and a pulsating pop rock soundtrack by many top bands of the era.
A slick looking Universal Pictures caper, The Real McCoy should have been a slam-dunk considering its pedigree.
The Kid Who Would Be King isn't even particularly watchable for young children and adults will find little to enjoy. Best to avoid it.
A simplistic stalk-and-slash horror movie set mostly in one location, The Unnamable is loosely inspired by a story from H.P. Lovecraft, and while the creature is clearly the highlight of the movie, they saved showing it off until almost an hour into the film, which is insane, considering that the movie is less than 90 minutes long.
What Art of the Dead has going for it is a sexy identity and firmly planted roots in horror.
Plot: A skilled young hockey prospect hoping to attract the attention of professional scouts is pressured to show that he...
The cast, mood, and score are all entirely essential to the film's creative success, and this is easily one of the best movies of 2018.
When the movie should have hunkered down and gotten badass, it forgets that it's set in a more-or-less "real world" and becomes a laughably moronic goof right up till the last shot of the movie that completely undoes the lengths to which the movie worked to get there.